Geeks can go to bed early. Here’s the Super Bowl 50 trailer for “Captain America: Civil War.”
Man do thinks look dire – no more so than when Tony narrowly avoids a bullet in the head, courtesy Winter Soldier, by quickly covering his hand in a gauntlet.
The movie asks us to pick a side: Team Cap or Team Iron Man.
I can’t do it. Can you?
The movie opens May 6.
We know that the star-studded movie, due for spring release, pits teams headed by Cap and Iron Man against each other.
Although I bet we’ll see some allegiances change during the movie, the initial lineups are pretty interesting.
Here’s Cap’s team. Hawkeye, Sharon Carter, Falcon (with Redwing above!) and Winter Soldier.
And here’s Tony Stark’s team. War Machine, Black Widow, Black Panther and Vision.
In the shot of Cap’s team, did you notice Ant-Man on Hawkeye’s shoulder?
That means we’ve got to see this.
Marvel wouldn’t tease that and leave us hanging, would they?
Up until a few days ago, I was considering going to see “Fantastic Four.”
Of course, my interest in the movie was pretty modest compared to my borderline mania to see each movie released by Marvel Studios – the official Marvel Cinematic Universe, of course.
But I was considering going to see the new Josh Trank “FF” anyway because Fantastic Four – along with the Avengers – was my favorite comic book growing up.
I might have gone to see it despite my misgivings about Trank’s efforts to turn Marvel’s most swashbuckling, space-spanning, goofy, good-natured comic into a “grimdark” spectacle.
But reading reviews of the movie turned me off, convincing me that the movie was not only a joyless experience but a throughly bungled one, too.
Trank himself trashed Fox and his own movie on Twitter the other day, saying that he had a good movie in the works before Fox took over and ruined it.
I don’t know who’s responsible for what is, by almost every account, a mess with awful characters, subpar story and effects and bizarre choices. I suspect maybe we’ll get a post-mortem sometime.
(And it’s funny that everyone thought the troubled production of “Ant-Man” was going to turn that movie into a disaster, huh?)
I just know that everything I’ve heard – from the botched storyline, the short shrift for Susan Storm – who doesn’t even go on the adventure, apparently, but gets her powers from an accident afterward – the penis-less Thing and the thoroughly screwed-up version of Doctor Doom – this is not a movie for FF fans from way back.
We’ve seen four movie versions now, not counting the best of them all, the unofficial version of a superhero family, Brad Bird’s “The Incredibles,” and I imagine Fox will still be cranking them out to keep its rights to the story.
And that’s a damn shame. Just think what Marvel Studios could do with FF.
The days of standalone superhero movies that are not part of a bigger universe are over. Sure, I thrilled at the end of “Iron Man” when Nick Fury showed up, talking about “the Avengers initiative.” It meant that if the movie succeeded, critically and financially, Marvel would cautiously build out its universe. The new “FF” movie couldn’t connect to the Marvel Cinematic Universe, of course, because it was made by Fox. But the claustrophobic nature of these narrow, self-contained worlds are done, done, done for me.
I want to see universe building, and, bizarrely enough, the most far-reaching, science-mad, adventuring characters of all, the Fantastic Four, won’t have a chance to build their universe until the rights are back in the hands of Marvel.
“Ant-Man?” “Ant-Man?” Ludicrous. Silly. Comic-booky.
Go see it.
It’s late and I’m tired, but some first impressions upon seeing the movie tonight:
Spoilers ahead, more likely than not.
It seems like every new Marvel movie has naysayers convinced – at least in advance – that this will be the one that destroys the studio. We heard that with “Guardians of the Galaxy” last year. We heard it with “Ant-Man” this year.
Nope. Hasn’t happened. Sure won’t happen with “Ant-Man,” which is smaller in scale than some of the Marvel movies but still has high personal stakes for the characters, as well as fun action and character scenes.
Credit scenes, because this is what you want to know: As these things go, the scenes have some heft. The first – in the mid-credits – at least promises a new, female hero. The second sets up the entry of the Ant-Man character into the larger Marvel Cinematic Universe and next spring’s “Captain America: Civil War.”
The final credits scene, however, is foreshadowed somewhat by the extended cameo played by Anthony Mackie’s Falcon character, however. After Falcon intercepts and fights with Paul Rudd’s Scott Lang at the new Avengers facility and Falcon turns up again at the end of the movie, looking for Ant-Man, there’s little surprise to the post-credits scene. Still, it’s pretty cool.
The movie has Easter eggs – more than I could catch – and plot threads for the overall MCU. But the best of those by far is the opening scene, set in 1989, with an uncanny, younger CGI version of Michael Douglas’ character, Hank Pym, the original Ant-Man. Loved this scene and loved how it filled in some blanks in the Marvel Cinematic Universe as we know it so far.
There’s a surprising amount of comedy in the movie, maybe not really surprisingly. The whimsy makes for some of the best moments in “Ant-Man,” however.
I’ll come back to the movie at a later date, maybe after I see it a second time.
And by the way, here’s my earlier post on why Ant-Man matters to the MCU.