“Ant-Man?” “Ant-Man?” Ludicrous. Silly. Comic-booky.
Go see it.
It’s late and I’m tired, but some first impressions upon seeing the movie tonight:
Spoilers ahead, more likely than not.
It seems like every new Marvel movie has naysayers convinced – at least in advance – that this will be the one that destroys the studio. We heard that with “Guardians of the Galaxy” last year. We heard it with “Ant-Man” this year.
Nope. Hasn’t happened. Sure won’t happen with “Ant-Man,” which is smaller in scale than some of the Marvel movies but still has high personal stakes for the characters, as well as fun action and character scenes.
Credit scenes, because this is what you want to know: As these things go, the scenes have some heft. The first – in the mid-credits – at least promises a new, female hero. The second sets up the entry of the Ant-Man character into the larger Marvel Cinematic Universe and next spring’s “Captain America: Civil War.”
The final credits scene, however, is foreshadowed somewhat by the extended cameo played by Anthony Mackie’s Falcon character, however. After Falcon intercepts and fights with Paul Rudd’s Scott Lang at the new Avengers facility and Falcon turns up again at the end of the movie, looking for Ant-Man, there’s little surprise to the post-credits scene. Still, it’s pretty cool.
The movie has Easter eggs – more than I could catch – and plot threads for the overall MCU. But the best of those by far is the opening scene, set in 1989, with an uncanny, younger CGI version of Michael Douglas’ character, Hank Pym, the original Ant-Man. Loved this scene and loved how it filled in some blanks in the Marvel Cinematic Universe as we know it so far.
There’s a surprising amount of comedy in the movie, maybe not really surprisingly. The whimsy makes for some of the best moments in “Ant-Man,” however.
I’ll come back to the movie at a later date, maybe after I see it a second time.
And by the way, here’s my earlier post on why Ant-Man matters to the MCU.